<?xml version="1.0" encoding="utf-8" standalone="yes"?><rss version="2.0" xmlns:atom="http://www.w3.org/2005/Atom"><channel><title>Chapter 2 — Convergence on Chicago Chronicles</title><link>https://chicago-by-night.pages.dev/categories/chapter-2--convergence/</link><description>Recent content in Chapter 2 — Convergence on Chicago Chronicles</description><generator>Hugo</generator><language>en-us</language><lastBuildDate>Sun, 22 Mar 2026 00:00:00 +0000</lastBuildDate><atom:link href="https://chicago-by-night.pages.dev/categories/chapter-2--convergence/index.xml" rel="self" type="application/rss+xml"/><item><title>Elysium — Friday, 2 February 1990, 9:00 PM</title><link>https://chicago-by-night.pages.dev/posts/february-elysium/</link><pubDate>Fri, 02 Feb 1990 21:00:00 +0000</pubDate><guid>https://chicago-by-night.pages.dev/posts/february-elysium/</guid><description>&lt;p&gt;&lt;em&gt;&lt;a href="https://chicago-by-night.pages.dev/locations/modius-mansion/"&gt;Modius&amp;rsquo;s Mansion&lt;/a&gt;, Miller Beach&lt;/em&gt;
&lt;em&gt;Gary, Indiana&lt;/em&gt;&lt;/p&gt;
&lt;hr&gt;
&lt;p&gt;The mansion on Miller Beach sat at the end of a dead street the way a casket sits at the end of an aisle. Two stories of timber and stone, porch light the only light on the block, the lake behind it black and restless in the February cold. &lt;a href="https://chicago-by-night.pages.dev/npcs/victor-salonika/"&gt;Victor Salonika&lt;/a&gt; opened the door before &lt;a href="https://chicago-by-night.pages.dev/sable-price/"&gt;Sable&lt;/a&gt; knocked.&lt;/p&gt;
&lt;p&gt;&amp;ldquo;He&amp;rsquo;s in the drawing room.&amp;rdquo;&lt;/p&gt;
&lt;p&gt;Nine o&amp;rsquo;clock. The hallway smelled like lemon polish and wet plaster. &lt;a href="https://chicago-by-night.pages.dev/npcs/modius/"&gt;Modius&lt;/a&gt;&amp;rsquo;s hell-paintings lined the walls, figures burning in landscapes that looked like Gary through a cracked windshield. &lt;a href="https://chicago-by-night.pages.dev/sable-price/"&gt;Sable&lt;/a&gt; walked through them the way she&amp;rsquo;d walked through the Robert Taylor Homes at fourteen: eyes forward, inventory running. Exits, sight lines, the particular weight of a building that knows it&amp;rsquo;s dying and hasn&amp;rsquo;t told anyone yet.&lt;/p&gt;</description></item></channel></rss>